The Beach Boys Love You (or Love You) is the 21st studio album by American rock band the Beach Boys, released on April 11, 1977. Originally conceived as a Brian. ReverbNation helps Artists grow lasting careers by introducing them to music industry partners, exposing them to fans, and building innovative tools to promote their.
The Doors - Wikipedia, the free encyclopedia. The Doors. The Doors in 1. From left to right: John Densmore, Robby Krieger, Ray Manzarek, Jim Morrison.
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Background information. Origin. Los Angeles, California, U. S. Genres. Years active. The band got its name from the title of Aldous Huxley's book The Doors of Perception, which itself was a reference to a quote made by William Blake, . After Morrison's death in 1. All but one hit the Top 1.
Billboard 2. 00 and went platinum or better. Their self- titled debut album (1. Top 1. 0 albums in the United States, followed by Strange Days (also 1. Waiting for the Sun (1. The Soft Parade (1. Morrison Hotel (1.
Absolutely Live (1. L. A. Woman (1. 97. Gold, 1. 4 Platinum, and 5 Multi- Platinum album awards in the United States alone.
After Morrison's death in 1. Other Voices and Full Circle with Manzarek and Krieger sharing lead vocals. The three members also collaborated on the spoken word recording of Morrison's An American Prayer in 1. Manzarek, Krieger and Densmore reunited in 2. VH1's . According to the RIAA, they have sold 3. US. Densmore opted to sit out and, along with the Morrison estate, sued the duo over proper use of the band's name and won. After a short time as Riders On the Storm, they settled on the name Manzarek- Krieger and continued to tour until Manzarek's death in 2.
Three of the band's studio albums, the self- titled debut, L. A. Woman, and Strange Days, were featured in Rolling Stone's 5. Greatest Albums of All Time, at positions 4. According to The Washington Post's Martin Weil, the band rose to the center of the counterculture of the 1.
Morrison told Manzarek he had been writing songs (Morrison said . The members came from a varied musical background from jazz, rock, blues, and folk idioms. This has circulated widely since then as a bootleg recording. The band took their name from the title of Aldous Huxley's book The Doors of Perception, itself derived from a line in William Blake's The Marriage of Heaven and Hell: . The club was not as prestigious as the Whisky a Go Go and did not attract many customers. The Doors used the nearly empty club as an opportunity to hone and, in some cases, lengthen their songs and work . On their last night together the two bands joined up for .
He did score one at Columbia Records but it did not pan out. Prior to that, the Doors' first recording was a demo they did for Richard Bock's Pacific Jazz Records subsidiary label, Aura Records, recorded on September 2, 1.
On August 1. 0, they were spotted by Elektra Records president Jac Holzman, who was present at the recommendation of Love singer Arthur Lee, whose group was with Elektra Records. After Holzman and producer Paul A. Rothchild saw two sets of the band playing at the Whisky a Go Go, they signed them to the Elektra Records label on August 1. The Doors were fired from the Whisky on August 2. Morrison added an explicit retelling and profanity- laden version of the Greek myth of Oedipus during . The Doors' self- titled debut LP was released in the first week of January 1. It featured most of the major songs from their set, including the nearly 1.
To promote the single, the Doors made their television debut on a Los Angeles TV show called Boss City circa 1. Los Angeles TV show called Shebang, miming to . This clip has never been officially released by the Doors.
In early 1. 96. 7 the Doors appeared on The Clay Cole Show (which aired on Saturday evenings at 6 pm on WPIX Channel 1. NYC) where they performed their single .
Research has determined that the tapes were all wiped. The only shows that still exist are the final ones copied by an employee of the station, although this was long after the Doors' appearance. The Doors returned to The Clay Cole Show a second time on June 2. The problem with this song was that it was seven minutes long, so producer Paul Rothchild cut it down to three minutes by radically cutting the lengthy keyboard and guitar solos in the center section. The March 7 and 1. The Matrix, Peter Abram. These recordings are notable as they are among the earliest live recordings of the band to circulate.
On November 1. 8, 2. Doors published a compilation of these recordings, Live at the Matrix 1. Bright Midnight Archives label. They did not appear live.
The band is seen on a beach and is performing the song in play back. The music video did not gain any commercial success and the performance was more or less forgotten.
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